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The Full Story

The Legendary Macmillan

Nothing is ever the full story. There's always something missing, something we don't want out there. That's the bit that everyone really wants to know.

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The Now

He used to be an angry young man. Now he's an angry old man. Writes to expel the demons...

             ...from his head...

              ...to the page...

        ...to you.

You're welcome.

20th July 2025
















28th June 2025












13th June 2025









25th May 2025

(BTW I love this font)








24th May 2025


















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29the April 2025










25th April 2025










16th April, 2025















6th April, 2025










3rd April, 2025

It's three weeks on, I've sent out my 20 begging letters and....not one, not one single rejection.

           "We doan need no stinkin' rejection."

Fuck, yes we do! They are the life blood of legends; they are the signals of mediocrity, they tell us we are unique. Rejection letters tell us we are either very good or very bad and, given our legendary status, they mean we are very, very good.

But - none, not one. That is a first. Maybe my email....my dog ate the emails...damn, brother!......

***

Well in case you haven't noticed, I have completed, edited, and now present my new novel "Fractured". It is, at base, a thriller, yet as this story plays out amongst the fear and the trauma of the two young protagonists, another story - of love and family - develops between them and two empathetic club owners. There's a lot to fear and a lot to love, all in the one story. And that, my friends, is "Fractured". Check out the sample chapter...

***

Oh yeah! I have been silent because I don't talk when I write - and I have just, this very day, completed the first draft of "Fractured". And it is good! Oh yeah. I am working on some elements to put on the website and, as soon as I have a final draft, I shall pop up an extract to blind you with my literary brilliance. Stay tuned.

***

 

For your general edification, my latest novel has been renamed "Fractured" (from "Twins"). I think it has a more commercial ring to it. I am very excited by it - though it would be fuckin' weird if I wasn't, yeah? I'm one third the way through, and it feels good. So far I have cried twice during the writing which is always a good sign, providing I'm not drinking at the time, which I wasn't. Tell you more when I'm ready.

***

Another rejection, this time a belated one for "From the Fire". This was my favourite, and most encouraging to rejection to date. She actually said "Don't give up" and so, because I admire one of her writers so much, I shall not give up. But she offered me a link that I had not seen before and I would like to share it with my...2?...followers (God, I so wish my mother was still alive, I'd increase my following by 50%). The link is:

 http://www.writersservices.com/agent/uk09/index.htm.

And thank you, kind agent, for your encouragement. It is very much appreciated.

 

*** 

 

Last night I received a another pleasant rejection, but one that set me thinking. The agency said the usual "not for them" but then gave two paragraphs of suggestions for budding authors. In a nutshell it recommended paying for an editor/manuscript assessor type of gig. Now herein lies my dilemma. The ones I have seen online are charging somewhere in the region of 7-800 pounds sterling for the service - not unreasonable considering the effort required, but a lot of dosh nonetheless. And there is a Big But...

For me at this stage of the game I'm beginning to wonder whether I can actually tell an engaging story - some people can, others can't. I always believed I was a good storyteller. So, up front, I don't want someone to "edit" my novel, I want someone to say "you are a good storyteller" or "you're a crap storyteller". For the latter, well, a career change is in order. But it occurred to me, someone charging that kind of dosh is not likely to tell you you are shite; rather, they're more likely to try and salvage your novel, to the best of their ability. Because, if you're a good storyteller, and you have a good plot, the chances are you're gonna sell, no matter what; the agent will sigh then lend a hand. There is, to be sure, a middle ground; people who tell an ok story with an ok plot who are happy to sell a few thousand copies. But right now that's not my interest. I want to reignite the fires of fantasy - I want people to miss their train stop because they are holding their breath to see if Jack and Miki can survive their art show (True Black), or they are in tears over Saori (as I was - Tradition). I want to sell a million copies because I  want the movie made because I want my stories to move people. [Get to the fuckin' point, Millan) Right now I believe I am a great storyteller, but I feel the foundations of my faith a'shakin'. 7-800 quid is a lot of dosh if the basic question (are you a storyteller?) is avoided. The people I admire - JK Rowling, Thomas Hardy, Frederick Forsythe, Jane Casey - did they stump up 800 big ones? I doubt it.

I need to think a bit more about this, but more importantly I need to write.


Scorecard to date on Tradition:

           Tradition: 20 agents approached, 7 rejections. Still 13 SSWGI

***

Well today I finally finished the synopsis for a new novel, tentatively titled "Twins". A true psychological thriller/suspense novel; less violence and more layers that the previous efforts. Let's see how this one (eventually) flies. I will keep y'all updated, assuming there is a "y'all" out there who gives a phlying phuck about Macmillan's progress.

 

***

 

A quick update, nothing of scintillating interest. I received my fourth rejection today, so the tally is rising. My thanks again to the agents who will take the trouble to let you know they aren't interested. I prefer that to the silence. The tally to date:

           Tradition: 17 agents approached, 4 rejections; 13 SSWGI

 

***

            ​

First rejection received for Tradition. Ouch. But nice; he said "I just did not feel the necessary conviction...". I won't say who it was, but that sounds like he read it and gave a genuine, heart-felt response. So as always my thanks for taking the time to acknowledge my effort - it's the long silences that are the depressants. It's early days yet, so I'm categorising the silent ones as "still studying with grievous intent" (SSWGI). The score thus far:

           Tradition: 13 agents approached, 1 rejection, 12 SSWGI.

***

First begging letter to one agent - author of my favourite rejection email - sent out today. I aim to send out 20 letters. Let's see if we get lucky this time. Failing that, let's see who sends the most encouraging rejection. The score thus:

           Tradition: one agent approached, I'm having a beer.

***

Watch this space. For here is where the reality of becoming famous can be found. 

As of today, a Thursday in sunny England, I have just completed my third novel "Tradition". If you are thinking "wowee, what a lad" then you are getting ahead of yourself. Today I also received my ninth official rejection - a most pleasant and gentle one, from Oli Munson at A.M. Heath, for the novel "From the Fire". Fair enough, I can handle polite rejection.

The inspiration for writing this comes from best-selling author Gillian McAllister; you can find, somewhere on the web, her account of becoming published. After many rejections she was finally accepted for publication - only one company from a bunch thought she was worthy, and yet the book opened on the Sunday Times Bestseller list. The moral of the story....is that no-one really knows for sure if your book is good or bad. It's a crap shoot. As Ms. McAllister says, you only need one "yes". Check out her story, it's motivating.

So my purpose here is to keep you updated on what is soon to be my meteoric rise to fame and fortune. We are here on the launch-pad. The score-card todate is:

           True Black; nine agents approached, one rejection, eight HBT2D

           From the Fire: twenty agents approached, ten rejections, ten HBT2D

No disrespect to the agents intended here, simply letting the rest of you legendary-but-unrepresented authors follow my path of despair and depression that will utimately lead to glory, fame, fortune, and the right to claim legendary status.

           Of this I am certain.

           *HBT2D - had better things to do

           

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